A work form that seeks to force speedy production, testing, and improvement of halfworked ideas so that they are shared and bolstered at an early stage of development.
Moving from overdependence on electronic media and towards materializing and visualizing ideas in artifacts, touching ideas, sketching ideas, gesticulating around ideas, and moving while doing idea work.
Boldly venturing forth into unknown territory through creating shared imaginings cultivating a language of possibility, handling failure, and providing encouragement.
Calling people into adventure – into battles, mysteries, missions, cathedrals, treasure hunts, or the needs of the human other – in ways that recruit their utmost capabilities and desires, asking: Why do we come to work here? What is really at stake?
The sensuous experience of being in a mystery, a combination of feeling startled and engaging in passionate speech. Wonder underpins all imagination, empathy, and deep interest in anything beyond itself.
Stepping back from immersions in data and analysis of ideas of particulars to big picture thinking, letting go of details, and seeking the simplifying core.
The practice of carefully preparing, building, and revitalizing knowledge in a way that maximizes its potential for effective use in the moment of creation.
In der Vorarbeit für unser nächstes Konzert, welches in einer Skulptur des Architekturbüros Snøhetta stattfinden wird (02.09.) stolperten wir über IDEA WORK- das Resultat einer mehrjährigen Forschungsarbeit, bei der kreative Prozesse verschiedener Unternehmen, u. a. Snøhetta, analysiert wurden. Die Forschergruppe hat zehn kreative Strategien (Creative Drivers) identifiziert und formuliert. Kurz vor Klingzeug Konzerten intensivieren sich die Vorbereitungen auch bei uns und es sprudelt nur so von Ideen, um letztendlich gemeinsam mit unseren Freunden ein neues Konzertprogramm vorzustellen. Diese zehn kreativen Strategien möchten wir euch in den nächsten Tagen vorstellen... Die Publikation „Id
